 Inanimate Alice: sharp and unsettling multimedia fiction |
Inanimate Alice
Kinetic novel? Multimedia narrative? Online graphic hypertextual fiction?
Labels have as yet failed to attach themselves firmly to pieces such as Inanimate Alice, but that suits the uncertain, exploratory nature of the medium itself. The first two chapters of De Montfort writer Kate Pullinger’s five-part story have now been published, and are worth a look by anyone drawn to the interface between animation and literature.
They detail days in the life of Alice, a young girl whose parents’ work in the oil industry takes her around the world. Through her handheld computer and mystical/virtual friend ‘Brad’ she negotiates difficult journeys through the dark.
The first chapter, set in China, is subtle and compelling enough to keep you clicking through to the end. There are some atmospheric moments, including sharp use of sound and unsettling graphics that capitalise on the usually solitary nature of using the internet.
Disappointingly, the second chapter seems merely a less inspired variant on the first, and while it’s worth experiencing for some of its components the narrative is just too light to hold it all together. Gimmicks – such as helping Alice to dress before she goes out into the snow – seem like they’ve been included because they can be, not because they should be.
The wealth of possibilities conjured by multimedia fiction is exciting, as Inanimate Alice amply demonstrates. The orchestration of those elements into a great narrative may be another story. |